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Book Promotion for Introverts
by Charles D. Hayes

Although I'm happy to learn about book promotion from authors who enjoy talking about their work with as much enthusiasm as they had writing it, the sad truth is that not all of us are born promoters. Not all of us are great speakers and some of us are even shy. I can give a pretty good talk, but whenever I put on that hat for any extended period of time it seems to sap the very energy that enables me to write in the first place.

A chapter in Tom and Marylyn Ross's book, Jump Start Your Book Sales, is entitled: "Publicity Horsepower: Shameless Print Promotion for Brazen Hustlers." Good advice, no doubt, but I'm not a hustler and don't want to be. So I approach book promotion from a different angle. In my view, the most important thing to remember is that you don't have to be naturally good at self-promotion in this business to succeed, but you do have to learn to value the process with enough enthusiasm to see that it gets done.

In 1988, I attended Stanford University's Professional Publishing Course. The first piece of advice they offered me was, "It takes a brilliant person to write a book, but a genius to sell one." I wouldn't go quite that far, but I wouldn't spend a lot of time arguing the point either. One of the most useful things I learned at Stanford is that when it comes to promotion, everyone is in the same boat. The folks at Random House are feeling their way every bit as much as the single book publisher, although they do have a decided advantage. I went to Stanford thinking that out there somewhere, someone had the answers, and I ended up more than a little disappointed to find out that most folks there were just as confused as me. Not that there aren't many good books out there about successful promotion, and if you're serious about this business you should read them all.

When it comes to publishing, these are truly paradoxical times. It has never been harder to promote a book than it is today, but the opposite is equally true: It's never been easier to promote a book than right now. The reason it's so hard is that so many people are doing it. The reason it's so easy is that there's never been so many ways to go about it. Technology is simply moving too fast. The Internet has everyone excited and scared at the same time.

Of course, there are lots of books that sell thousands of copies via word of mouth alone. Zen and the Art of Motorcycle Maintenance is a good example: It sells enough copies each year to be considered a best seller by most small presses. But 22 publishers rejected Robert M. Pirsig's book before it was accepted and moreover, Pirsig never promoted the book. His publisher decided to make him seem like a mysterious person by making information about him scant and it worked.

The reality of our business is this: Successful promotion means reaching critical mass, and books that are not continually promoted will die on the vine. But the very nature of critical mass is an interesting phenomenon. Not only does it require imagination, resourcefulness and (above all) persistence, it means making a big enough splash so that publicity and word of mouth becomes a self-sustaining process for long periods of time.

A year ago, Malcolm Gladwell published a book called The Tipping Point, which offers some insightful information about this dynamic. Gladwell identified three major players instrumental in achieving a critical mass of attention: Connectors, Mavens, and Salesmen. Connectors know lots of people and frequently communicate with them. Mavens are obsessed with getting the best deal possible and are just as anxious to let you in on it. Salesmen, as we all know, are persuaders. Study these 'types' and then engage as many of them as you can to help call attention to your work. If you have a specific genre then you need to reach the connectors, mavens, and salesmen who would be most enthusiastic about purchasing the particular kind of books that you publish. I'm using the Internet to do just that: I post a free quarterly online newsletter and have several major "connectors" as subscribers. If they like a particular issue they spread the word, which travels fast, like the ripples created when a rock is tossed into a pond. Zen and the Art of Motorcycle Maintenance, and scores of books like it are self-sustaining. They make their own waves. Connect with enough connectors and you can create a tsunami without anyone seeing the rock that set it in motion. You can make waves without being in the media limelight.

And believe it or not, too much polish can actually work against you. When a producer called me to appear on "Talk of the Nation" she said I would be sharing the hour with another author in my genre that at the time was very well known. I came prepared to share the spotlight, but wound up being the only guest. The producer told me that the other author was too self-promoting and they decided not to include him. Score one for the introvert. Turns out her only criteria for a guest was sincerity and enthusiasm for the subject at hand. Which proves that you don't have to be a Stephen Covey, Harvey MacKay or a Greg Godek to succeed in this business. Nor do you need a "dynamic personality". All you do need to have is "something" to say, the willingness to say it, and tenacity to spare.

Finally, keep in mind that victory is often nothing more than a rule which someone has successfully broken, and that many of the people who succeed are the very ones who don't know they "can't do that."

Autodidactic Press

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